The Ugly Stepsister: A Grotesque Mirror Reflecting Society's Obsession with Beauty


Emilie Blichfeldt's The Ugly Stepsister (2025) is a daring reimagining of the classic Cinderella tale, transformed into a visceral body horror narrative that delves deep into the extremes of societal beauty standards. Set in 18th-century Europe, the film follows Elvira (Lea Myren), a young woman overshadowed by her conventionally attractive stepsister, Agnes (Thea Sofie Loch Næss). Driven by a desperate desire to gain the attention of Prince Julian (Isac Calmroth) and escape her impoverished circumstances, Elvira undergoes a series of harrowing cosmetic procedures orchestrated by her ambitious mother, Rebekka (Ane Dahl Torp).

Blichfeldt's direction is unflinching, presenting scenes that are both grotesque and poignant. From the sewing of eyelashes into eyelids to the ingestion of a tapeworm for weight loss, the film doesn't shy away from the macabre, using these elements to underscore the damaging lengths individuals might go to conform to societal ideals of beauty. The cinematography by Marcel Zyskind captures the bleakness of Elvira's world, while the haunting score by Kaada and Vilde Tuv amplifies the film's unsettling atmosphere.

Critics have noted the film's effective subversion of traditional fairy tale roles, with Agnes portrayed not as the innocent victim but as an enforcer of oppressive beauty norms . This role reversal challenges viewers to reconsider preconceived notions about characters often taken at face value in classic narratives. The film's commitment to its thematic exploration has garnered it a 96% approval rating on Rotten Tomatoes, reflecting its impact and resonance with audiences.

In conclusion, The Ugly Stepsister is a bold and unsettling film that uses the framework of a familiar story to confront uncomfortable truths about beauty, identity, and societal expectations. It's a cinematic experience that is as thought-provoking as it is disturbing, leaving a lasting impression on those who dare to watch.

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